Eric Raven “The Shape Of Pain”
The Shape of Pain opens with “Ascension,” which functions as a solid opener. The drop around halfway through the track is heavy and the squealing guitar over it is exciting before the howling vocals pour in. “Anointed” follows up. Although it’s only a minute and a half, Raven’s vocals are pure fiery hardcore and easily carry the track for its short duration.
“Substance” brings a totally new vibe with some bright, colorful synths right at the front. There’s also an uncredited guest vocalist who duets quite nicely with Raven.
We get the heaviest track so far with “Afterglow.” The fast-paced beat is rife with well-placed industrial synths and a surprising amount of peaks and valleys for such a short track. However, “Chance for Absolution” brings the album back to the same melancholic vibe of “Substance.” It’s admittedly a
little jarring to switch back and forth like this, but the tracks fly by so quickly that it sort of mirror the extremes of each song.
“Safeword” has an eeriness to it I really enjoy, with some creative samples. More than any other, this one screams “trap metal.” The call-and-response style vocal in the latter part of the track hit hard, I just wish they went on for a little longer.
“Left Hand Pass” finishes out the tracklist with a bang. I should take this time to give credit to the immaculate mixing. Every track feels different, but there are clear sonic throughlines that bind them together. Each one has great space, and the professional finesse is there. I’ll also give credit to the vocals, which range from somber to explosive, and the lyrics, which are overflowing with Satanic references and battering outburst of frustration and despair.
If you love metal, hardcore, techno, or trap, you really owe it to yourself to try out The Shape of Pain. It’s honestly shocking how high-quality it is for a new project. Plus it only clocks in at just under 16 minutes, so you really don’t have anything to lose.
Eric Raven’s blend of different genres is something I never knew I wanted, but now I can’t wait for more.
Favorite Track: “Left Hand Path.”